
The design style now known as mid-century modern first came into vogue during the 1950s and 1960s, driven by the post–World War II economic boom and optimistic attitudes that encouraged U.S. consumers to embrace creative designs in their living spaces. Creative furniture makers like Eames and Herman Miller became aspirational brands, with their funky, distinctive approaches that helped redefine what everyday objects—a chair, a lamp, even kitchenware—could look like and the meaning they could convey.
It’s a different century, marked by substantially different societal and economic conditions, but mid-century modern furniture is enjoying a resurgence in popularity today among consumers who appreciate the bold colors, designs, and conceptualizations of these long-gone designers. Genuine antique items by the big name designers sell for a steep premium; copycat versions tend to offer insufficient quality. A market gap thus arose, between the demands of consumers who wanted to embrace a mid-century modern vibe and the products available to meet that need.
It is this market gap that Form Portfolios aims to fill. The Danish design firm specializes in finding underappreciated intellectual property, in the form of designs or actual furniture that had been conceived of or crafted by lesser-known designers. That is, many mid-century furnituremakers never gained the renown enjoyed by Eames or Herman Miller, but they left behind a substantial amount of high-quality, well-constructed products, as well as the intellectual rights to their designs. Their heirs seemingly failed to recognize the potential value of what their parents or grandparents had bequeathed them, despite the renewed popularity of the style. Others regarded the effort of trying to restore pieces or start production on the designs, and then price, market, and sell the stock they had inherited, as just too excessive.
Form Portfolios’ founder Mark Masiello recognized a solution to the problem that also represented a substantial opportunity. The treasure trove of surplus designs promised a wealth, of both possibilities and revenues. Therefore, Form Portfolios actively pursued and purchased the property rights to many designs; in other cases, it struck a deal with current estate owners that provided them royalties on each sale but granted the rights to produce the designs to Form Portfolios. Through these efforts, it obtained the rights to nearly a thousand designs and began production.
To get the newly produced versions of historic designs and the original pieces to market, Form Portfolios established partnerships with several retail firms, including CB2. In the space of about five years, CB2 released products based on more than 100 of the designs acquired by Masiello. In so doing, it has revived the reputation and sales appeal of designers that, for whatever reason, remained overlooked during the twentieth century, such as Paul McCobb. Such efforts benefit the reputation of the artists and their heirs. Of course, they also increase demand for their designs; in heavily promoting work by the Murano-born lighting artist Carlo Nason, Form Portfolios can transform its holdings into artistic creations, worth whatever price it wants to charge.
As noted, mid-century modern design goes beyond furniture though, a perspective that might explain the form that Form Portfolios’ continued expansion has taken. Specifically, Masiello chose to purchase the Dansk kitchenware line. Founded in the 1950s, Dansk designs are synonymous with the clean lines and sculptural details that represent staples of mid-century modern design. In acquiring the brand for the seemingly undervalued price of just $250,000, Form Portfolios was able to expand its offerings and its brand reputation. It also earned sales far, far in excess of the purchase price, through its subsequent sales of Dansk pieces.
Discussion Questions
- Explain and compare the value of a chair designed by Herman Miller versus one designed by a (thus far) largely unknown designer. How is Form Portfolios attempting to change this comparison?
- One expert compared the company’s process to the tactics that film studios use to reboot old superhero franchises. How are the two marketing strategies similar, and how do they differ?
Sources: David McCabe, “Can You Reboot a Lamp Like a Superhero Franchise?,” The New York Times, December 28, 2025; Form Portfolios, https://www.formportfolios.com; “Reports: Food52 Sold in Three Pieces at Bankruptcy Auction,” HomePage News, February 10, 2026.








